In more ways than one
One look atStrafeand its influences are obvious. The first-person shooter looks like a lot of first-person shooters.Quake,Doom, andHalf-Lifeare a few titles that developer Pixel Titans grew up revering. Game director Thom Glunt even admitted that he used to be into the modding scene for these games. Yet, despite all that, in some waysStrafeis more likeSpelunkythan anything else.
Initial impressions can be deceiving like that. Although it’s unabashedly a fast murdering spree,Strafeis also admirably deep. There’s very much a method to all the madness, and it’s never the exact same. That’s becauseStrafeis procedurally generated, always dealing a different hand.
That’s where theSpelunkycomparisons begin, but it’s not where they end. An apt connection can be made through difficulty, as Glunt cheerfully told me after my second run quickly failed “Hey, at least you made it out of the first room this time!” Or, the fact that it’s a roguelike, meaning that each run is self-contained and no progress is carried over (although, there is a shortcut system).
But, the thing that Glunt most likened toSpelunky— and the guiding design philosophy for the entire game — is that he wanted to give the players everything they need to beat the game right from the start. Whereas other roguelikes likeThe Binding of Isaacare about crafty stacking of skills,Strafeis more about tailoring a style. There probably won’t be a surefire way to just crush whatever the game randomly presents, but there will be ways to make yourself more comfortable.
Through its 16-or-so levels, players will find themselves adapting their style to the tools they come across. The scrap that the various enemies drop allows for some sort of choice customization, as it’s a currency that can be spent at the merchant. These store visits serve as one ofStrafe‘s few moments of reprieve, a couple seconds’ rest where nothing is trying to kill you.
That’s rare because, at all other times, something is absolutely trying to kill you.Straferevels in viscera, every dead enemy covering the walls in its blood and guts. It sticks around too, a constant reminder while backtracking of the battles that have already ensued. If that backtracking triggers one of the many monster closets, that blood will probably get covered with even more blood. There’s gallons of the stuff.
But, the blood can serve a mighty useful purpose, too. There are acid-throwing baddies who coat the room in health-draining gloop. A good habit to get into is to kill those guys first and then normal enemies last. If you can accomplish that (easier said than done), the blood covers the acid, rendering it harmless.
That’s one of the many little touches that makesStrafesmarter than it looks. There are a lot more, too. Glunt paused briefly before saying “This ain’t some triple-A shit. We made this game and I’m excited to talk about it,” right before spilling more ofStrafe‘s secrets to me. He’s certainly not wrong in his enthusiasm.
Years of first-person shooter experience will have many people immediately familiar withStrafe. They might even be able to quickly master it. Remember: They’re well-enough-equipped from the beginning. But, I wouldn’t bet that’s the experience of most. I think most will see more of theSpelunkyside of the game rather than theQuakeside. It’s just not in-you-face apparent because, you know, you’re shooting monsters in the face the whole time.
